Comments on: How To Photograph Food Like A Pro https://www.lightstalking.com/how-to-photograph-food/ Illuminating Your Passion Thu, 20 Apr 2023 14:14:54 +0000 hourly 1 By: Brent Herrig https://www.lightstalking.com/how-to-photograph-food/#comment-3814712 Tue, 01 Mar 2022 12:09:09 +0000 https://lightstalking.com/?p=99452#comment-3814712 Hi,
I have been in the photography career for more than 5 years. You have done an epic job by gathering such specific points together. Thank you for sharing some exceptional tips.

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By: Richard https://www.lightstalking.com/how-to-photograph-food/#comment-3701140 Tue, 26 Oct 2021 01:19:42 +0000 https://lightstalking.com/?p=99452#comment-3701140 Thank you, a great lesson.

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By: Michael Ringer https://www.lightstalking.com/how-to-photograph-food/#comment-3536280 Fri, 24 Jul 2020 05:20:36 +0000 https://lightstalking.com/?p=99452#comment-3536280 I just don’t think I agree with your opinion on artificial light. While natural light is great, for those of us who are shooting food photography on site or in a foreign studio, that’s rarely available. As such, it’s all about flash to eliminate that pesky ambient light. Soft boxes and diffusion are of course your friend, but placing a window-sized square soft box or even something huge like a 60″ softbox for nice soft light works great. Here’s a great example from a recent shoot – in my opinion, the sunlight feel is very much present despite the need for flash (the muffin set with the tea):

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By: Keith Pitts https://www.lightstalking.com/how-to-photograph-food/#comment-3508302 Mon, 30 Dec 2019 01:46:29 +0000 https://lightstalking.com/?p=99452#comment-3508302 In reply to Hailey.

Hello Hailey,

A table top light will not mimic natural daylight. If you are on a budget and want to work with a constant light source then try the following. A clip on worklight from home depot for starters. It’s cheap and easy to move around. Second and most important, take a picture frame ( I suggest a fairly large one) and stretch and staple a frosted shower curtain to it and trim the excess. The frame will become your light source. Set it in position out of your image. Move the worklight near (but not so close that it melts the plastic) the frame/curtain. Now you have a soft, directional light to work with. The beauty of this setup is that you can control contrast by moving the light closer and farther from the frame/curtain (diffuser). That’s why I recommend a larger frame. That takes care of your main light. Now use reflectors to put light into the shadows to taste.

This technique is how an awful lot of actual comercial work is done. The lights and modifiers can be more expensive but the results aren’t necessarily better.

I hope that helps.

I don’t shoot food often but I learned this in the 90’s before digital using sheet film and view cameras. The technique remains the same but with immediate feedback.

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By: Tyler Johnson https://www.lightstalking.com/how-to-photograph-food/#comment-3502399 Mon, 30 Sep 2019 16:39:05 +0000 https://lightstalking.com/?p=99452#comment-3502399 That’s a good idea to take the picture while the food is fresh. I feel like that would make it look the most appetizing. I’ll have to make sure to do that if I decide to take some food pictures.

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By: jhonson https://www.lightstalking.com/how-to-photograph-food/#comment-3438958 Thu, 25 May 2017 05:07:00 +0000 https://lightstalking.com/?p=99452#comment-3438958 a great article, it really helped me

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